First Impression: Amid Evil (PC – Steam) ~ Champion!

Steam page – Wikipedia entry

In the near future, Amid Evil will have new content named The Black Labyrinth. Now, this is quite extincting, since this gives me an amazing opportunity to talk about the base game. Since, this game comes from the same studio that brought us the amazing retro-style shooter Dusk and does it live up to that name, or should we totally look elsewhere? Should we leave this game amid evil, or should we save it from evil? Well, that’s what I want to figure out with while writing this article with my first impressions about the game. So, let’s dive right into the game and talk about it, while I invite you to leave a comment in the comment section down below with your thoughts and/or opinions on the content of this article and/or this game. So, Amid Evil… What do you get for us?

Champion !

Amid Evil is being called the spiritual successor to games like Hexen and Heretic. That’s quite a high bar to set since I really enjoy Heretic. I love the concept, and I was quite impressed with it. I remember discovering Heretic through a website that shared old DOS shareware versions of games. Now, before I get side tracked and this article turns into a half Heretic review, let’s focus on the game.

In Amid Evil, you play as one of the last standing heroes that is tasked with saving various worlds. In this game, the evil forces already took over and it’s to you, the Champion to save them. And in terms of story, that’s mostly it. This shooter pulls you right into the action. That’s not to say, that this game doesn’t have any story. Each episode has a lot of world building and builds up the various evil forces that took over those worlds in a unique theme, but if you are looking for a shooter with a strong overarching story, I’m afraid that you might be disappointed with this game.

To avoid spoilers, I’m going to talk about the next bit somewhat vague. But there are 7 episodes in this game, with each episode having 3 levels each and then a boss fight. In each level, there are various moments of lore and world building that if you really spend time with it, it tells an amazing story. The game tells just enough for you to let your imagination run wild and fill in the “story gaps”.

Due to the story taking quite the backseat in this game, there isn’t a lot of voice acting in this game. Apart from the Champion’s pain grunts, jump sounds and alike… There is only one character that really says lines. That’s the voice of the ancients, who is played by Tamara Ryan. She did an amazing job in voicing that character. I really enjoyed her comments when I returned to the level hub. And also, I wasn’t able to find out who voiced the main character, but the voice work there is amazing as well.

Now, if you have read earlier articles from me, you might expect that I’m going to say that it’s a shame that the story take such a backseat, but you would be wrong. I think the execution and the pacing of the story in this game is excellent. The story is told through the world building and because of this, each episode feels like a sort of anime arch/season with a start, middle and end. Especially, because each episode tells a different story with different enemies and ways you have to defeat the levels. The only thing that remains the same are the weapons and their abilities.

Something that remains the same are the controls. Those smooth and amazing controls. I really like how in control I feel of the Champion I play as. I also like things like the fact you can even choose how your crosshair looks in the options menu. That’s so lovely and allows you to add that personal touch to the game that I really love.

It’s shooting time

At it’s core, this game is an old-school linear shooter. The best way to somewhat explain the gameplay of this game is take games like Dusk or Blood, and put them in a dark fantasy setting. So, in this game, you through long levels, shooting your way through various enemies with various weapons. While going through the levels, you also have to hit switches, flip levers, make jumps, hunt for keys to open doors and maybe find secrets along the way. With a handy press of the tab button, you can easily see how many enemies and secrets there are left, but also your time in the level. So, there is an in-game time mode for speedrunners. Lovely.

So, let’s talk about the weapons you can use in this game. The “infinite ammo” weapon in this game is the Axe of the Black Labyrinth. It’s a rather strong weapon, but it’s extremely slow. I’m quite sure that this weapon was my least used weapon because of that slow speed. You also had to get up close and personal with the enemies for it to have effect, and the hectic and fun combat of this game doesn’t always allow that. Since, health in this game is rather precious. I’m not saying that this game is brutal, but if you don’t understand how the enemies work, the can become a lot of trouble.

Maybe the first shooting weapon in this game might be of help. It’s what I call “an upgraded version of Heretic’s staff” and it’s called the Staff of the Azure Orb in this game. While it’s far from the strongest weapon in the game, it was one of my favorite weapons to use. This is a water based weapon, so if you hit flame enemies with it, you deal some extra damage. But then again, water based enemies are immune to this weapon. So remember that well when you are fighting to use another weapon in case of water spirits.

Another weapon like the Whisper’s Edge. It might give you an edge in combat since it’s a sort of “shooting sword”. And not like you shoot energy beams from the top of the blade, oh no. You shoot “slashes”. This is a slow weapon, but it’s a very strong weapon. I see it as the shotgun of the weapons in this game. If you use it well, you can deal a lot of damage, quite fast. And that’s handy since this game likes to put you into tight rooms with a lot of enemies with their unique quirks. It’s essential to understand the weapons and the enemies in each episode, since that knowledge will help you survive the episode.

Like in the original DooM, each enemy has their own unique cry and sound effect. Learning these sound effects and playing this game with a good headset or surround system is a must. It helps you quite a lot to avoid dying over and over again in the chaotic and addictive battles. Something that also helped quite a lot is the Voltride. This is Poseidon’s trident combined with Zeus’ thunder in weapon form. Oh, do I love this weapon since it’s such a strong weapon, but it eats through your mana so quickly.

Speaking of mana, there are three types of mana in this game. Blue, Green and Orange mana. I really like the attention to detail that this game has with giving the ammo count the same color as the mana you need to pick up to power it. The first weapon in the roster with orange mana is the Celestial Claw. This bazooka of a claw shoots actual planets, and sometimes even our own Earth! Man, I love to use this weapon to try to hit a lot of enemies at once while circle strafing around the room.

The next weapon on the list if the Star of Torment. This weapon has its use cases. This is a weapon you need to learn how to use, since it’s not your typical “gun weapon”. The Star of Torment is a weapon that can cause not only splash damage to nearby enemies, but it can also nail enemies to the floor and/or walls if used correctly. I like to use it in crowded rooms to quickly damage the biggest enemies, they are easy pickings when I’m focusing myself on the weaker enemies.

My last case scenario is the Aethurnum. This weapon is quite close to a small screen nuke. It will rip out the souls of the enemies quite easily. And with these souls, you can charge up your soul meter. At a certain point, your soul meter is full and you can activate a sort of “rage mode”. In this mode, your weapons are stronger and do a lot more damage, but they also eat you a LOT more of your mana. I’m not going to spoil the alternate attacks of each and every weapon but let’s just say that the slow weapons aren’t slow anymore.

There is no armor in this game, so that means that you really need to be careful while playing this game, so you don’t die. In the levels, there are also red orbs you can collect that heal you. But be careful, sometimes it’s more recommend to either safe the orb and pick it up later, since it might not be the only time you pass through the section. But, if you learn the enemy attack patterns and really dive into how this game works, you might be able to even pass up some of those health pickups since, full is full.

Worship or not?

Visually, this game does a lot right. This game is the best cross between old school 3D shooters on the PS1, while it looks quite modern as well. The artstyle and theming in this game is superb, and if only I had a stronger gaming PC to see how the new DLSS visuals look like. Since, from what I have seen in the promotional material, the game looks even better.

As I said earlier in this article, the story in this game really takes a backseat, and the game tells you just enough to fill in the details with your imagination. Well, a lot of that has to do with the amazing work the developers did in theming each episode. For example, one episode is quite industrial themed. So, you go through old machines, use giant cog wheels to go around while you avoid robots with lasers. Another episode is more medieval themed, so you will see knights and soldiers hunting you down.

In terms of the UI, I don’t have anything I would change. I really like how you quickly get all the information you need from it. It shows you on the left, your health and your soul power and on the right, your mana and the acquired weapons. Combine that with the beautiful animations as this game has, and the package is complete.

For real, the way how enemies go into a stun animation or die, it told me all the right information I needed to know to try and survive the rather hectic fights. The same counts for the bosses. While they are quite challenging, they telegraph their attacks quite well to give you a chance to dodge and/or get to a safe spot. It makes the game even more fun to play.

A guilty pleasure of mine is that if there are cheats in the game, I like to experiment with them. The cheats in this game give this game such a nostalgic feel to me. But, then you have amazing things like you can play the episodes somewhat out of order. Like, how you can choose which level to play like in the 2nd episode of Nightmare Reaper. It’s really great stuff.

So, earlier I talked about that you need to learn the sound effects of each enemy. I said that for a reason, since the sound design in this game is really, really good. I’m so glad that I play PC games with a noise-cancelling headset, since I’m quite sure it saved me several times from dying. Combine that with an amazing soundtrack by the legendary Andrew Hulshult and the music and sound design gets a chef’s kiss… A ten out of ten. The soundtrack has been part of my work playlist for quite a long time, I love it. It fits the theming of the game like a glove.

There is a lot of attention to detail in this game, like how you have different death screens in this game tell you how you died and giving you quick and easy access to either reload the level, reload a save… The polish in this game makes it quite tricky to find negatives in this game. Yet, there are a few things I really didn’t like.

First of all, this is something I think can be fixed with a patch, but the alt+tab out of the game is extremely glitchy. I had to start and quit the game several times since it had quite a hard time remembering my screen size. It also wasn’t always active, and it switched between focus and not focused mode quite often.

The second thing, could also be fixed with a patch, but the counter in the codex isn’t always correct. Especially with the episodes. For some reason, it’s stuck at 8 for me, while it has double the pages.

But the 3rd thing is something I really disliked. The lack of a map screen. There isn’t an in-game map in this game. And if there is one, I haven’t been able to find it. While this game has great level design, and it flows quite nice, I sometimes missed in-game map to find secrets more easily. Since, some secret locations are so silly as underneath a stair.

Something I feel honestly somewhat mixed about are the power ups. There are so rare and far between, I honestly didn’t remember that this game had power-ups before I clicked open the codex for this article. While it came flooding back then, I think that there could have been much more use of these. Maybe if there is ever a multiplayer or death match or even a sort of zombie style mini-game, I think they can shine.

As you can see, this game is an excellent retro throwback shooter with a lot of polish. The fact that even after 3 years, this game gets frequent updates to polish up bugs and the game, I can’t really fault it for a lot besides not having a sort of in-game map. I really enjoyed myself with this game and I highly recommend it to everybody who enjoys playing shooters like Dusk, Nightmare Reaper, Blood, Bioshock, DooM… It’s really good. Be aware, it isn’t the easiest game you will play, but it’s a fair game, and it has that: “just one more try” attitude written all over it.

I’m really curious to see what the new DLC will bring since it will have new levels, new music and new weapons. Then, I shall wake up the champion once more to fight amid the evil and conquer it. But until then, I think I’ll end of the article here. I want to thank you so much for reading this article, and I hope you enjoyed reading it as much as I enjoyed writing it. I hope to be able to welcome you in another article but until then, have a great rest of your day and take care!

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Review: Pokémon Pinball (Gameboy)

By Merman (@merman1974)

Console: Game Boy Color (playable on DMG Game Boys, and Super Game Boy for Super NES)
Developers: HAL Laboratory & Jupiter
Publisher: Nintendo
Release dates: Japan – April 14th 1999, North America – 28th June 1999, PAL – Australia July 13th 1999 and Europe October 6th 2000

– US box art.

 Japanese box art –

 

 

 

 

A Pokémon pinball spin-off makes a lot of sense, not least because the Pokéball is round like a pinball. Let us look back at some of the unique features of the first Pokémon Pinball game.

– Title screen.

 

 

 

 

 

The Pokémon you are catching are of course from the original Generation One game, Blue and Red (as they are known to Western audiences). The game has two separate tables, called Blue and Red, featuring the Pokémon from the relevant game. Unlike other Pokémon titles, you do not need to trade to unlock all 151 in the battery-backed Pokédex – but it is possible to trade high-scores via the Game Boy Color’s infrared port, as well as print out high scores if you attach a Game Boy Printer. There is a unique screen surround when playing on the Super Game Boy attachment for Super NES. Although the cartridge can be played on earlier DMG models of Game Boy, certain features are disabled (including the animated Pokémon in the Pokédex) and the graphics are of course textured monochrome rather than full color.

– Super Game Boy surround with the Blue table.

 

 

 

 

 

 – Playing the Red table on a DMG Game Boy.

 

 

 

 

 

The game was a joint development between HAL Laboratory and Jupiter, under license from Game Freak. HAL is of course known for their work on the Kirby games, with former employees and then President Satoru Iwata moving on to become Nintendo’s president. And in 2020 HAL moved part of its staff into Nintendo’s Tokyo Building, meaning it now shares offices with Pokémon creators Game Freak, 1Up Studios, and Nintendo EPD Tokyo. Jupiter is based in Kyoto, with a Tokyo sub-office. The company’s motto translates as “Let’s Play! Let’s Smile!” and it has a long history of releasing games for Nintendo’s handheld consoles – from Game Boy to Switch. Jupiter also worked on the -Game Boy Camera’s built-in software and created an unreleased Pokémon Picross game for Game Boy Color (which was uncovered in the recent large leak of Nintendo data, after only being known about through a few magazine articles of the time).

– The Pokémon Pinball cartridge with its distinctive shape.

 

 

 

 

 

 

 

 

 

At first glance, the Game Boy Color cartridge for Pokémon Pinball is much larger than normal. At the top is the cover for a AAA battery. This powers the rumble motors inside the cartridge, much like the force feedback found in more recent controllers. This feature is disabled when playing on the Super Game Boy. The Japanese and American versions allow you to switch the Rumble, so it is either on or off. The European cart offers a choice of strengths – Off, Mild or Strong. It is one of a few unique Game Boy cartridge designs with extra hardware inside, alongside the likes of Kirby Tilt ‘n’ Tumble, Wario Ware Twisted, and Yoshi’s Universal Gravitation.

 

– The complete Blue table.

The complete Red table –

How do you go about catching ‘em all in this pinball spin-off? There are common modes to both tables, so it is best to look at the first and then explain the differences. The player can enter Catch ‘Em Mode by flipping the Pokéball over the GET light two or three times. A different type of Pokémon will be available to catch if you light it three times. Then the mode is activated by hitting a particular target – Bellsprout on Red and Cloyster on Blue. A silhouette of a Pokémon will then appear at the bottom of the table and must be filled in by hitting the pop bumpers (at the top of the table – Voltorbs on the Red table and Shellders on Blue). This will fill in the silhouette and make the Pokémon itself appear in the middle, so it must be hit three times to light up the word CATCH! (This is shown as GET in the Japanese version). Each Pokémon caught is recorded in the Pokédex, and awards one of three Pokéballs needed to reach the Bonus Stage (lighting up in the middle of the table). If you encounter a Pokémon but do not capture it, its image appears as a shadow in the Pokédex until you capture it another time.

– Abra is being revealed for capture.

 

 

 

 

 

– Zubat is almost revealed.

 

 

 

 

 

– Bellsprout has taken two hits.

 

 

 

 

 

– Hit Zutbat three times with the ball.

 

 

 

 

 

– One more hit to capture Abra.

 

 

 

 

 

Once you have caught a Pokémon, the EVO light must be passed over three times to light it up and enter Evolution Mode by hitting the target (Ditto on Red and Slowpoke on Blue). The player uses the flipper buttons to choose between any Pokémon already captured that can evolve. Arrows will guide the player to where the necessary EX (Experience), Evolution Stone, or Link Cable are hidden on the field. The player must collect three of these items; hitting the wrong location will mean the player must send the ball around the outer “loop” of the table or wait 10 seconds for a fresh item to appear and the Pokémon to recover from “fainting”. Both Evolution Mode and Catch’ Em Mode are played against a time limit that gradually counts down. Get the three items in Evolution Mode before time runs out and a hole appears in the middle of the table; flipping the ball into it will secure the Evolution for the selected Pokémon and fill in its new Pokédex entry.

– Here on the Blue table, choosing a Pokémon to Evolve.

 

 

 

 

– An Experience Token to be hit.

 

 

 

 

 

– One EX token down, two to go.

 

 

 

 

 

Once the player has three Pokéball icons lit from captures, the Bonus Stage can be activated by hitting the open center hole. Red has Bonus Stages based on Diglett and Gengar, while Blue has Meowth and Seel. Completing both Bonus Stages on either table will then open the special Mewtwo Bonus Stage. Diglett requires the player to knock down all the Digletts and then hit Dugtrio at the top three times; the player only gets one ball on this stage. Gengar is played against a 1:30 minute time limit in the graveyard. Hitting Gastly ten times will launch Haunted; hitting Haunted ten times will see the player facing a huge Gengar, which must be hit five times to complete the stage. Meowth throws coins around, and the player must collect them with the ball; hitting more than one pile in a row increases the multiplier (the first coin is worth 1, the second is worth 2, and so on). Dropping (draining, in pinball parlance) the ball resets the multiplier and costs four coins. Against a one-minute time limit, the player must collect 20 coins to complete the stage. Seels swim around underwater, with their heads “popping up” every so often. Hit ahead with the Pokéball and a point/icon is earned, with the chance to earn multipliers as in Meowth’s stage. The player has 1:30 to collect 20 icons but can continue to earn points after they reach 20 until time runs out.

Mewtwo’s Bonus Stage is more challenging, as the Legendary Pokémon is surrounded by six moving black circles. Hitting a circle earns a million points and hitting Mewtwo himself earns 50,000,000. With just 2:00 to play, the player must accumulate 25 hits on Mewtwo to capture it. Fortunately, each hit also removes a black circle. A clever player can fail and replay Mewtwo’s bonus stage to earn huge scores.

To simulate a Trainer moving around the region, Map Move is used. The starting location is chosen at random from a shortlist, with different areas for each table. Each area also has its own types of Pokémon available. Red requires you to hit Diglett twice to enter Map Move, while Blue requires three hits on Poliwag or Psyduck. Once these triggers on the table are hit, the player has 30 seconds to hit key targets and make a Map Move. This means a player will play three locations from the “Area 1” list, two from the “Area 2” list, and then the sixth and final area visited will be Indigo Plateau on both tables. Mew can be encountered on Indigo Plateau, but its strength means it would take 1024 hits to capture – and so its entry is added to the Pokédex on finding it rather than capture.

– The trainer has arrived at Mt. Moon.

 

 

 

 

 

At the top of each table, above the bumpers, are three channels. Dropping the ball through a channel lights one, and the position of lit channels can be cycled with the flippers. Passing over a lit light will turn it off again. Note that on the Red table, hitting Staryu toggles whether the player can upgrade the ball using the channels. Once all three channels are lit the Pokéball upgrades, giving a higher score multiplier. The basic Pokéball becomes a Great Ball (x2 multiplier), then an Ultra Ball (x3), and finally a Master Ball (x5). Combined with the basic table multiplier this can rapidly increase your score. However, each ball only lasts a short while and will change back to the previous strength – and draining the ball off the bottom of the screen reverts to the standard Pokéball.

– A Master Ball with its x5 bonus multiplier.

 

 

 

 

 

Also on each table are the CAVE lights (HOLE in Japan) that can be lit up by the ball passing over them. Once all four are lit, the Slots feature becomes active (but only if the player is not in another mode – i.e., Catch ‘Em, Evolution, or Map Move). The slot machine is started by putting the ball into the center hole. The reel spins to offer an upgrade, with the reel slowing down once the player presses A. Among the upgrades are Small and Big Scores, a Pokéball upgrade, or an increase in score multiplier. The ball Saver protects the player for either 30, 60, or 90 seconds (or until the ball is drained twice), while the Pika power-up can be handy. Normally a Pikachu will sit in one of the two drain channels at the bottom of the table and can be moved between them with the flippers. If his power meter is fully charged – by hitting the spinner on the outer loop, filling the thunder icon – then he will fire his Thunder Strike to act as a kickback, saving the ball from draining. If you get the Pika bonus you have two Pikachus, protecting on both sides and able to charge. The Slots can also award an extra Ball (life) or automatically start a mode – Catch ‘Em, Evolution, or Map Move.

– The Slot is open.

 

 

 

 

 

– The Small Bonus awards a miserly few points.

 

 

 

 

 

 – Gaining the Pika bonus

 

 

 

 

 

 

The player starts with three Pokéballs, but once all balls are lost it is Game Over. Helpfully the Ball Saver is activated for 30 seconds at the start of each life. There is a separate high score list for each table, and as mentioned you can transfer these scores to another Game Boy Color via infrared for your friend to beat. Stats are shown after each ball, awarding bonus points for the number of Pokémon caught or evolved with that ball (times the score multiplier in effect), as well extra for turning the spinner multiple times. As well as flipping the flippers, the player can tilt the table to shake a stuck ball loose – but it is not often needed.

– Ball Saved! Launch it again.

 

 

 

 

 

– I was going for the Slot but missed the ball.

 

 

 

 

 

Positive reviews of Pokémon Pinball give it a GameRankings average of 81.73%. This included 32 out of a possible 40 from legendary Japanese magazine Famitsu. GameSpot’s 8.7 ratings praised the display and presentation but did feel the physics were poor – and the rumble was just a “nice novelty”. CNET was more positive, calling it one of the best pinball games for the Game Boy Color and “more than a shameless cash-in on the Pokémon phenomenon”.

Looking back, these reviews seem fair. The major problem with the game – as in several Game Boy pinball titles – is the way the viewpoint “flicks” between two halves of the table. Although other Game Boy Color pinball games managed to achieve scrolling tables, the 8-bit processor was slow for moving a large table around. The physics are mixed but for the most part, the ball moves realistically. The flippers take some getting used to as there are limited angles, so it is more about controlling the speed of the ball when you hit it to get the right target. And I found the fixed launch speed unusual; most pinball games simulate the spring-based “plunger” which gives the possibility of different launch speeds and skill shots. Graphics are pleasing with some cute, animated Pokémon – although they do not move around (except in the bonus rounds). It is of course the long-term challenge of catching ‘em all that will keep you playing. Personally, I prefer the Blue table, but both are great fun to play in short bursts.

– Red table high scores, storing the top five scores.

 

 

 

 

 

– Blue table high scores, with the names of the companies involved.

 

 

 

 

There are some other interesting problems and changes between regions, beyond the obvious Language selection menu for Europe. Japanese and American versions allow the player to reconfigure all the controls, but European users are limited to a choice of three pre-set control schemes. The Pokédex entries are taken from Red and Blue with a full stop added at the end. But there are spelling mistakes and translation errors in there. The Japanese text in-game displays the Romanised Japanese names (Poppo for Pidgey, Pawou for Seel) but the Pokédex itself shows the names in kanji. The Cutting Room Floor website (https://tcrf.net/Pok%C3%A9mon_Pinball) reveals unused graphics that could have been a third table or layout, as well as an unused Japanese font. Entering the Game Genie code 000-21D-E6E unlocks a hidden Debug menu that allows you to switch between Game Boy Color and DMG mode for earlier Game Boys.

– The Key Config screen from the US game.

 

 

 

 

 

 

– Geodude animating in the Pokédex.

 

 

 

 

 

 – I encountered a Meowth but failed to capture it.

 

 

 

 

 

 

 – The second page of text for Abra in the Pokédex.

 

 

 

 

 

The music by Go Ichinose is particularly good for the hardware, reusing familiar themes from the games and the anime. Interestingly the Blue Table’s background theme has a melody that appeared in Pokémon Gold and Silver when visiting Ecruteak City and Cianwood City – games that were released seven months after Pokémon Pinball. Red’s background melody meanwhile is from the Generation II games, when visiting Kanto province. Catch ‘Em Mode on the Blue table uses an instrumental version of “Aim To Be A Pokémon Master” – the original opening theme of the anime.

If you have never played Pokémon Pinball, I can recommend it. For pinball fans, there are some quirks to be endured, but Pokémon fans will get a real kick out of it.

OVERALL: 8/10

 – Game Over!

Curious for more? Well, this article is part of a collaboration between various content creators where we took a look back together on the Pokémon franchise. Feel free to read all the other articles by following the links you can find in the hub article.

 

Review: Pokémon Pinball Mini (Pokémon Mini)

By Merman (@merman1974)

Console: Pokémon mini

Developer: Jupiter

Publisher: Nintendo

Release dates: Japan – December 14th 2001, North America – November 16th 2001, PAL – Europe March 15th 2002 and Australia October 11th 2001

The Pokémon mini console was an unusual move from Nintendo. Going back to an LCD screen seemed strange in 2001, but the success of Game Freaks’ franchise led to a huge number of licensed products. These included a Tamagotchi style virtual pet and an electronic Pokédex.

– The Pokémon mini logo

There were three varieties of Pokémon mini, matching the colour of its shell with three Pokémon from the later generations – these colours were: Wooper Blue, Chikorita Green, and Smoochum Purple. The hardware is particularly intriguing, as the smallest Nintendo console with interchangeable cartridges. The monochrome screen has a resolution of just 96×64 pixels, and it is powered by a 4MHz 8-bit CPU from Seiko. Squeezed into the case are an internal real-time clock, an infrared port for multiplayer gaming, a reed switch that detects when the player shakes the console, and a motor for rumble/force feedback. Memory includes 4K of RAM and the 4K BIOS, while each cartridge holds 512 kibibytes (just over half a megabyte). The console also has six save slots, which are shared between games. Power comes from a single AAA battery that can last up to 60 hours of gameplay. Officially the word mini was always shown in lower case, although many sources use that interchangeably with Mini.

  Chikorita Green

 

 

Smoochum Purple

 

Wooper Blue

 

 

 

Internationally there were four titles available at launch. Pokémon Party mini is a mixture of mini-games, Pokémon Puzzle mini requires you to assemble pictures of Pokémon and Pokémon Zany Cards has four card games played with Pokémon cards. We are here to talk about the fourth launch game, Pokémon Pinball mini, but it is worth discussing how the poor sales of the initial games meant no further titles were sold in North America. Pokémon Tetris saw a release in Japan and Europe, but the last five official titles – Pokémon Puzzle Collection vol. 2, Pokémon Race mini, Pichu Bros. mini, Togepi’s Great Adventure and Pokémon Breeder mini – were only sold in Japan. Developers Jupiter were responsible for six of the ten released mini games, including Pinball mini – following on from their work on the original Pokémon Pinball game for Game Boy Color.

– The English box art for Pokémon Pinball mini

– The Japanese box art for Pokémon Pinball mini

Emulated versions of some Mini games appeared in the later GameCube title Pokémon Channel, and that allowed the console to be reverse engineered by hackers. Pikachu has to find the Pokémon mini under the bed and extra games are then purchased from the Shop ‘n Squirtle. It initially comes with a special bonus mini game known as Snorlax’s Lunch Time. Pokémon Pinball Petit was included in Pokémon Channel, with just ten Quest Mode levels from the original game and no way to save high scores. An emulator and homebrew titles are now available online for those who are unable to track down the elusive mini hardware. There was even a demo (SHizZLE, by Team Pokéme) entered into the Breakpoint “wild” demo competition in 2005. Fans have since created English translations of all the Japanese exclusive titles, making them playable in an emulator or via the Ditto mini flash cartridge (containing Flash memory, and thus allowing homebrew or translated cartridge files to be run on the original hardware itself).

US box artwork for Pokémon Channel (GameCube)

 – Feed Snorlax to keep him awake in this Pokémon Channel mini-game.

So how does the Pinball mini game work? The game is split into three modes. Quest Mode has 70 levels that must be completed in order, Time Attack challenges you to complete one of ten selectable levels as fast as possible, and Score Attack has ten different levels to rack up as many points as possible. As with Time Attack, the player is free to play any of the ten Score Attack levels.

– The title screen initially just shows Diglett hitting the Pokéball.

– Diglett taking on a Score Attack level.

In each level, the player hits the Pokéball around with a Pokémon replacing the flipper usually found at the bottom of the table. The player starts off with Digglet, whose head pops up to hit the ball when A is pressed. Time it right and you get a faster-moving Power Shot. As you move through Quest Mode, there are three types of level. Fill Holes requires you to fill all the holes with Pokéballs as quickly as possible. These levels have a time limit, and this type of gameplay is the core of the ten Time Attack levels. High Score levels in Quest and Score Attack award one point for hitting the ball into a hole, and three points for a power shot. In Quest Mode these levels have a minimum score to complete them – also against the time limit. As well as holes, there are other features on the tables. Blocks can be broken by three hits (or one power shot), but hard blocks cannot be broken. Water will end the game, while the gravity changer (a black arrow) makes gravity act in that direction. Bumpers make the ball rebound, but the Out Hole will grab the ball and take time to release it. Ditto stops the ball bouncing and drops it slowly, while Pichu throws the ball in the direction it is facing (with the same strength it was hit).

– Ditto will affect the ball when hit.

– Hitting the Gravity arrow will make gravity start acting to the left.

– The Out Hole in the middle will hold onto the ball for a while.

– Naughty Pichu throws the ball around.

There are four Capture Levels in Quest Mode, allowing the player to unlock a different Pokémon. The Pokémon moves back and forth across the screen, starting with 3HP. Hitting the creature with the ball removes 1HP, while a power shot removes 3HP. Once the Pokémon is reduced to 0HP it faints, and needs one more hit with the ball to capture it. The player must then flip the Pokeball into the hole to complete the level, with its weight being heavier (making it slower to move) with the captured creature inside. If the player waits too long to hit a fainted creature, it revives with 1HP and must be hit again.

 – The player has unlocked Pikachu, who is a little unpredictable.

When a new Pokémon is unlocked, it can be used to replay any level – except its own capture level. Pikachu (#025) is unlocked by completing level 10, but the ball flies in a random direction when he hits it. Clefairy (#035) is the prize for passing level 20. Its psychic abilities allow you a small amount of control over the ball with the D-pad. The player must use Pikachu on level 11 and Clefairy on level 21 and is excluded from using Clefairy on some later levels. The slow-moving Wobbuffet (#202) is unlocked at level 30 but can send the ball flying further. The final Pokémon to be captured is Poliwag (#060) after level 40. Poliwag moves up faster than the others but is not as powerful (making power shots harder). One level filled with water requires the use of Poliwag, but only Diglett can be used on level 70. Completing the Quest Mode shows Poliwag and Clefairy alongside Diglett on the title screen.

– Clefairy’s ability to influence the ball’s movement will help get rid of these Blocks.

As a pinball game the small size of the Pokémon mini screen is restrictive. But as a spin-off from the Pokémon games, it has a certain charm in the way it uses different creatures. It is a tough game to play through, thanks to the time and score limits. The cost of the console itself and the limited sales make tracking it down tough for collectors, so the recommendation would be to try the other two Pinball titles on Game Boy instead.

OVERALL: 6/10

This article is part of a big collaboration where various writers take a look at the Pokémon series in a retrospective way. Feel free to read more articles like these by visiting the hub article.

Review: Pokémon Pinball Ruby and Sapphire (Gameboy Advance)

By Merman (@merman1974)

Console: Game Boy Advance (also playable on GameCube’s Game Boy Player, Wii U Virtual Console)

Developer: Jupiter

Publisher: Nintendo

Release dates:

Game Boy Advance in Japan – 1^st August 2003, North America – 25^th August 2003, PAL – Australia 26^th September 2003 and Europe 14^th November 2003

Wii U Virtual Console in Japan – 10^th December 2014, North America – 1^st January 2015, PAL – Australia 12^th December 2014 and Europe 11^th December 2014

– Part of the colourful intro animation.

 

 

 

– US box art.

 

 

 

 

– Japanese box art.

 

 

 

 

 

 

The Game Boy Advance hardware gave it more power, equivalent to the Super NES in a handheld console. It also gave Game Freak the chance to revisit its earlier generation of Pokémon games as well as the new Ruby and Sapphire games for Generation III – featuring the Hoenn region Pokédex. This would be echoed by this follow-up to Pokémon Pinball developed by Jupiter featuring the Johto and Hoenn region creatures. Its later Wii U Virtual Console release would make it the first Pokémon game released on that format. The Game Boy Player’s Rumble feature (through the GameCube controller) was supported by the Game Boy Advance Cartridge. Five special eReader cards were made available in Japan, allowing players to scan the card and trigger tricky in-game events; players had to attend the official Pokémon Centers or live Pokémon events to obtain these special cards.

– The title screen.

 

 

 

– Configuring the controls.

 

 

 

– Choosing the Ruby or Sapphire tables before starting play.

 

 

 

The major change from the original is the smoothly scrolling table. Where the original flicked between two halves, the new game had a much bigger vertical playfield. There was a choice of two tables, one for Ruby and one for Sapphire with each having unique features. The modes of play carried over from the original – Catch ‘Em, Evo Mode and Map Move. The Bonus sections were an even bigger part of the new Pinball title too.

– The full Ruby field.

 

 

 

 

 

 

 

 

 

– The complete Sapphire table.

 

 

 

 

 

 

 

 

 

Although the Hoenn Pokédex is featured in this game, there are only actually 205 of the 210 available. Deoxys cannot be found and captured at all, while Chikorita, Cyndaquil, Totodile, and Aerodactyl are unable to be evolved. If you encounter a Pokémon but fail to capture it, its entry in the Pokédex will appear as a shadow. The battery backup remembers which Pokémon you have caught. From the Pokédex you can transfer a captured Pokémon to another player’s console and their copy of the game via the Link Cable. You can also transfer the high scores you have achieved, with a separate list for each of the tables.

– Mightyena in the Pokédex.

 

 

 

– Ready to transfer a Pokémon via the link cable.

 

 

 

The player launches the Pokéball from the plunger (the spring-like Spoink) by holding a button to set the power, and then uses two buttons for the flippers. This time it is possible to tilt and nudge the table left, right, and up – helpful to guide the ball into a target or knock it loose from an awkward point. On both tables there are sets of ramps to send the ball around a Pokémon Mart to purchase extras with Coins earned from the table. (Plusle and Minun create an electrical barrier protecting the Sapphire table’s Mart – both must be hit with the ball to make the barrier drop). Pikachu returns in the drain channel, moving left and right with the flipper. Hitting the spinner charges up his Thunder Strike, acting as a kickback to keep the ball in play – but it must then be recharged. The Ball Saver physically picks up the ball and flies it back to the Spoink plunger to launch again; on the Ruby table, it is the Legendary Pokémon Latios, while the Sapphire table’s Saver is Latias.

– The Pokéball sits on Spoink, ready to launch.

 

 

 

– Latios swoops down to save the ball on the Ruby table.

 

 

 

– The ball has launched on the right-hand side of the Sapphire table.

 

 

 

– Latias zooms in to save a ball on the Sapphire table.

 

 

 

New to this game is Egg Mode. On the Ruby Field the player must knock Cyndaquil backward into its cave a few times to hatch the egg. On the Sapphire Field, the ball must travel up the right-hand ramp to light the lights surrounding the egg. The next time that ramp is successfully climbed, the egg is hatched. Once hatched, the Pokémon inside will descend to the lower half of the table and can be captured by hitting it twice with the ball. This counts towards the capture limit for opening the Bonus Rounds.

– The Egg hatches to reveal Trapinch…

 

 

 

– …and Trapinch is caught.

 

 

 

– Light the four clamps to hatch the egg on the Sapphire table.

 

 

 

– Ralts is hatching from the egg (Sapphire table).

 

 

 

– Ralts being caught by the Pokéball.

 

 

 

– Ralts has been caught.

 

 

 

Catch ‘Em Mode works in a similar way to the original Pokémon Pinball. The player must first light two or three GET lights on the right outer loop. Then on the Ruby table the ball must be hit into Sharpedo’s mouth while the whale-like Whailmer activates the mode on the Sapphire table. Once started, the player must hit the pop bumpers (Chinchou or Lotad on Ruby, Shroomish on Sapphire) at least three times to fill in the silhouette. Once the Pokémon has been fully revealed, it can be captured by hitting it three times with the Pokéball. Lighting up three Pokéballs in the center of the screen opens the Bonus Round (see below). Catching 15 Pokémon earns an extra ball.

– Catch ‘Em Mode is activated on the Ruby table.

 

 

 

– The Pokémon appears as a shadow until you hit the bumpers.

 

 

 

– I have one more hit to catch Poochyena.

 

 

 

– Poochyena has been caught.

 

 

 

 – Catch ‘Em Mode on the Sapphire table.

 

 

 

– Achieving multiple hits on the Shroomish bumpers rapidly reveals the Pokémon in Capture Mode.

 

 

 

– Taillow has been revealed.

 

 

 

– The Pokéball captures Taillow.

 

 

 

– Taillow has been caught, ready to evolve.

 

 

 

– A chance to capture Voltorb.

 

 

 

– I have two hits on Voltorb.

 

 

 

– Voltorb has been caught.

 

 

 

Evo Mode allows you to evolve a previously captured Pokémon. On both tables, the entrance to the Pokémon Mart gains the lit Evo arrow once you have completed three trips around the outer left loop. Starting Evo Mode gives a choice of Pokémon to evolve. The player must then collect three items – including EX (Experience) and Evolution Stones – and sink the ball in the central hole to evolve the chosen Pokémon.

– Entering Evo Mode on the Ruby table.

 

 

 

– Selecting which Pokémon to evolve.

 

 

 

– Enter the Slot to complete the Evolution.

 

 

 

– The Pokémon is evolving!

 

 

 

– Time to evolve a Pokémon on Sapphire.

 

 

 

– Choosing Taillow to evolve.

 

 

 

– The EX token is sitting near Wailmer.

 

 

 

– The Evolution is complete!

 

 

 

– Taillow has evolved into Swellow and is added to the Pokédex.

 

 

 

Travel Mode – the renamed Map Move – acts in a similar way to the original Pokémon Pinball. The starting area is chosen at random when the player launches the ball.  Collecting three Gulpins on the Ruby table starts Travel Mode, while collecting three Seedots is necessary on the Sapphire table. Once activated, the player must send the ball round an outer loop and into the central hole within one minute. The next area chosen is selected depending on whether the loop hit goes left or right. The player can decline to change area if they wish to stay and catch more creatures. Each area has a particular set of Pokémon based on their type. The player will ultimately travel through seven of the nine areas available, with the Ruins only available on both tables after the sixth journey. A neat touch is that Volbeat (Ruby) or Illumise (Sapphire) will fly in to “paint” and reveal the new area reached.

– Entering Travel Mode on Sapphire.

 

 

 

– Illimuse painting the new location.

 

 

 

– Volbeat has filled in the new area on Ruby.

 

 

 

There are five Bonus Rounds, with Kecleon and Groudon on the Ruby table and Dusclops and Kyogre appearing on Sapphire. Completing Groudon or Kyogre rounds will then give access to the Rayquaza Bonus Round on both. Kecleon will turn invisible and must be knocked over to register a hit; fortunately, the tree contains a Devon Scope that can be shaken loose and collected to “see” the invisible creature. Once knocked over Kecleon must take ten hits inside two minutes to capture him. Groudon shakes down rocks, creates pillars of fire, and throws fireballs at the Pokéball. Rocks take three hits to break and the pillars take four, trying to stop you from hitting Groudon itself 30 times inside 3 minutes. Sapphire’s Dusclops round starts in the graveyard, where you must knock down 20 Duskulls. Then Dusclops itself will appear, and it must be hit in the back or while moving five times to conquer it; mistime a hit and it will swallow the ball and throw it back at the flippers. Kyogre uses Sheer Cold to freeze the ball and creates whirlpools to stop the ball from moving. Its final move is to dive under the water, with bubbles giving a clue to where it will rise again. Hit it 15 times in three minutes to win.

– The Bonus Round is open on the Sapphire table.

 

 

 

– Tackling Dusclops in the Bonus Round.

 

 

 

– You can choose not to enter the Bonus Round – but miss out on big points.

 

 

 

– Kecleon is briefly visible thanks to the Devon Scope.

 

 

 

– Ten hits later and Kecleon surrenders.

 

 

 

– Big bonus points for beating the Kecleon Bonus Round.

 

 

 

Rayquaza must be beaten twice to capture it, meaning the player must play through and complete the first two bonus rounds a second time to get back to it. When it bounces left and right, the ball will pass under it. It will pause to cast Thunder at a slow-moving ball and paralyze it, while the ExtremeSpeed move causes two tornadoes to appear – these will send the ball flying helplessly into the air for a few seconds. Fifteen hits on Rayquaza are needed inside three minutes, but it does award a juicy 99,999,999 points for winning.

Lighting up the HOLE lights at the bottom of the table activates the slot machine, entered by putting the ball into the center hole. This can be stopped by pressing the A button – or grabbed by Zigzagoon on the Sapphire table to award the current prize. Small and Big points bonuses and Coins can be awarded, Get starts Catch ‘Em Mode and Evo starts Evo Mode automatically. Ball Saver starts saving the ball for 30, 60 or 90 seconds depending on the value and the player can also be advanced automatically to the next Bonus Round.  Extra gives an extra ball while Max upgrades the current ball to a Master Ball (see below). The Pika bonus in this game sees Pichu joining Pikachu in the drain channels, charged in the same way to act as a kickback.

– The Slot is open, ready to offer you a bonus.

 

 

 

– The Slot reels are spinning.

 

 

 

– Zigzagoon is jumping to stop the reels – on the Small Bonus, unfortunately.

 

 

 

– Hitting the Spinner charges Pikachu’s energy levels.

 

 

 

– Pikachu stops the ball from draining with his Thunderstrike.

 

 

 

On both tables there are the three upgrade channels that can be lit, but as in the first game running over a light already lit turns it off again. The flippers rotate the upgrade lights and the HOLE lights too. The upgraded ball offers a larger bonus multiplier for a short time – x2 for the Great Ball, x3 for the Ultra Ball and x4 for the Master Ball – but the ball will drop back down a level after a while and revert to the basic Pokéball if the player drains it. There is a separate table multiplier that can be increased through the slot machine. Once the ball has drained (dropped off the bottom of the table) then stats for that ball are shown, including the number of Pokémon caught and evolved and the number of spinner turns. These subtotals are multiplied by the bonus multiplier in play at the time. Starting with three balls, when the player runs out it is Game Over – and if they have earned enough points, they can enter up to four initials in the high score list for that table.

– Upgrading the Pokéball gives higher bonus multipliers.

 

 

 

The game was first revealed at the E3 Expo in 2003, with GameSpy describing it as “much more than a pinball game”. When the reviews arrived, they were as positive as those for the original Pokémon Pinball – currently giving it a Metacritic rating of 82/100. Martin Taylor of Eurogamer surmised that “only the most demanding of pinball wizards would be right to turn their nose up at Pokémon Pinball [Ruby & Sapphire]’s a charming slant on the genre.” It earned an IGN Editor’s Choice award with an 8.8 score, Craig Harris calling it “the greatest pinball game for the Game Boy Advance.” Famitsu in Japan scored it an impressive 34 out of 40.

– Entering a name on the Sapphire high score table.

 

 

 

In an interesting bit of trivia, the American company Personal Pinball Inc. created a one-of-a-kind real-life pinball table based on the game. It was made for Pokémon USA and was housed in the New York Pokémon Center. Selling more than a million copies on the cartridge, the game would have a second life on Wii U’s Virtual Console. The Cutting Room Floor website (https://tcrf.net/Pok%C3%A9mon_Pinball:_Ruby_%26_Sapphire) has some interesting finds. There is a GameShark code to activate Debug Mode (allowing you to press L to freeze and then move the ball around, with R resuming play) and an unused Bonus Round Select screen. The eReader screen found in the Japanese version is still present (and its text translated) in other regions, but it was disabled for the later Virtual Console release.

– European Game Boy Advance titles usually offered in up to five languages, with a selection screen.

 

 

 

This is still a game I pick up and play, as both a pinball and Pokémon fan. The improved physics and scrolling table make it better than the original. There are more motion and animation than the original, with the hatching Pokémon from Egg Mode being particularly adorable. Control feels smoother and it is much easier to achieve the loop shots. I can certainly concur that it is one of the best pinball games on Game Boy Advance and should definitely be in your collection.

OVERALL: 9/10

– Thanks for reading! Want to continue your retrospective look at the Pokémon franchise? Well, take a look at the hub article where I and several other content creators made more retrospective content about the Pokémon franchise.

 

Review: Dusk (PC – Steam) ~ Spinning Guns

Steam store page

I think I’m unable to hide the fact that I love playing retro-style shooters. I love the fact that a lot of new games are coming out in the genre since I like the genre quite a lot. I’m also crossing my fingers that no overload will occur. But, in any case, I think it’s high time to introduce the game I’m going to take a look at today. It’s name is Dusk, developed by New Blood Interactive. And let me tell you, I have set the bar quite high for since game since the producer of this game was the director of the Rise of the Traid (2013) reboot. Well, let’s get into the town of Dusk at dusk to shoot some monsters. But before we do that, I want to invite you to write a comment with your thoughts on the game and/or the content of this article in the comment section down below.

Editorial note: this review has been written after the Dusk Halloween 2020 update. 

Spinning guns

Most of the story of this game is told through the environment. Yet, some details are told the DLC comic. Let me give you the gist of it. This game takes place in the fictional rural town Dusk, Pennsylvania. A huge network of ruins are discovered underneath the town. Those who were researching these tunnels got possessed and it’s up to you, DuskDude, to save the town from destruction. Yet, you are a treasure hunter and you want the riches that are rumored to be hidden in the town.

The influence of the original Doom is quite clear. In terms of story, this game takes the Doom story/setting and puts an Lovecraftian spin on it. I could talk more in-depth on the story but I want to keep this review as spoiler free as possible. The only thing I’ll say is that the story is an amazing homage to several famous horror movies and amazing shooters.

Now, let me tell you. If you expect a deep story with a lot of lore… I think you might have to look elsewhere. Don’t get me wrong, the story and setting is extremely well done but this game focuses more on the gameplay and creating unique scenario’s then on telling a deep story.

Something that’s quite interesting to note is that there is some voice acting in this game. Something that surprised me is that the voice actor for this game is the legendary Andrew Hulshult and he is also the composer for this game. I heard his work before in Nightmare Reaper and now I have the pleasure to hear more work of his. But more about the soundtrack later. The voice acting that Andrew did in this game is amazing. You can feel that he leaned into the role and made the characters come alive.

While the story doesn’t have a lot of depth, the voice acting and the pacing the story was able to draw me in. Something that this story does quite well is that giving you the smallest amount of details that are enough to let your mind wonder and fill in the details and the rest of the story yourself.

Anyways, I have been rambling a lot about the story for now. I think it’s high time to talk about the gameplay. Is this game fun to play with a DuskDude that doesn’t have to reload his guns and spins them when you reload them.

The running slide

Your goal in this game is to get to the ending of the level without dying. In order to do that, you have several weapons at your disposal. You start off with the sickles, these are your melee weapon if you are out of ammo. In my playthrough, I rarely used these. I found that they weren’t effective enough to conquer the various amount of enemies in this game.

Before I continue to talk about the weapons, I want to mention the cigar. This is an item that’s in your inventory at all time and you can use it to slowly recover health. I discovered that fact through researching this game. So, rest assured, this game can be beaten without the use of the cigar. To be honest, it’s annoying to use since it’s slow and has a cool down, which is a good thing mind you. Image having a health pack to quickly heal you, on you at all times. That would break the difficulty curve so fast.

Anyways, the weapon selection in this game has your standard pistol, shotgun, assault rifle, hunting rifle and rocket launcher guns. There are two types of shotguns and rocket launchers. On top of that, there is also a sword and a crossbow in this game. Managing these weapons and deciding when the use them is the biggest mechanic of this game. Also, don’t forget that DuskDude can pick up items that you help you to save ammo. Also, some items may be stronger then you think. 

So, you can fight your enemies by shooting or throwing stuff at them. Earlier I talked about the fact that you can spin your weapons. Hitting your enemies with a spinning weapon does ten points of damage to them. Of course, there is also the possibility that you can let them start in fighting. But I have seen this happen quite rarely during my playthrough. But, the crystal of madness holds some secrets about that.

During your quest to find the keys that open the doors to the ending of the level, you can also find various secrets. Some of them are in plain sight and others are hidden behind fake walls. If you are secret hunting, pay close attention to the environment and don’t destroy boxes since they can be used to jump higher. And each secret is worth it, let me tell you. Some secrets saved my skin during my playthrough. 

There is one mechanic in this game I’m honestly missing in other shooter games and that’s the slide mechanic. When you are running and press the crouch button, DuskDude does a slide. This feels so gratifying to pull off and helps quite a lot during combat. 

There are also power-ups in this game that enhance the gameplay quite a lot. My two favorites are the Fast Fire Totem and the Wall Climbing power-up. The Fast Fire Totem just reduces your weapon cool down to 0. It’s ridiculous and using it on a large group of enemies felt so enjoyable to do. Also, the Wall Climbing power-up is used in excellent moments and set pieces that made it a lot of fun to use. 

In terms of gameplay, this game is a well built shooter and it controls amazingly well. I never had a moment where I felt that a death was the game’s fault. The only nitpick I had with the controls is that picking up items and moving them is sometimes a bit tricky when you are getting things from between tight spaces. 

The Steam achievements were fun to get while exploring the various landscapes in this game. Visually, this game looks right out of the early 90’s. The visual style has been nailed perfectly with blocky models and everything. Yet, surprisingly, the game is quite detailed and feels like a real dystopian landscape. 

In terms of animations, this game hits another nail on the head. I highly advise you to learn the attack animations of your enemies since they can save your life in certain spots. Some enemies are a big pain to deal with but when you learn their patterns and animations, they can be worked around. 

To top this all off, you have an amazing soundtrack by Andrew Hulshult. This soundtrack adds so much to the game, it’s amazing. While the game gives off a horror and Lovecraft vibe, you can rip and tear with the epic metal soundtrack in the background that even gets moody at certain moments. That in combination with great sound design makes it fun to hunt down your enemies, avoid their attacks and shoot them. 

So far I have been praising this game, like the additional fun I had when I messed around with the cheats in this game, but I’m sad to report that this game does drop the ball in some area’s. Let’s talk about them. 

Nostalgic loading screen

Let me first start with the biggest bummer of them all. I wanted to try out the multiplayer in order to be able to write about it. Sadly enough, the multiplayer is quite deserted at times. I’m not the best in shooter games but I felt that the balance was all over the place. In the few matches I was able to play, I got spawn killed quite often. Maybe I need to give it another chance but I have a bit of a sour taste in my mouth so I don’t think that will happen anytime soon. Thankfully, the single player is more then fun enough to play through and there is were the focus is at. 

I was about to complain about the lack of the weapon wheel, but this is coming in a future patch when the console versions are released. In addition to that, we are also getting custom weapons, co-op and mod support. So, these things might help in fixing some of the issues I have with the game. 

Something I didn’t like is that this game is quite short. There are 30 levels in this game and you can finish this game in give or take 10-ish hours. This game has so much potential and it’s over before you know it. I was really getting into it nearing the end and then I was fighting the final boss. Oh well, this game is somewhat replayable due to the secret hunting you can do and trying to beat your fastest time. 

You know, I don’t want to do this but this game does drop the ball in something that’s a big pet peeve of mine. This is the UI. While it works and is easy to use, there is some major polish that needs to happen to it. Let’s start with the lack of a map. I got lost several times in some levels because I was unable to bring up a map. Some of these levels are huge and without a map, you can get lost if you didn’t pay attention during a fight. 

If you use your mouse wheel to scroll in some menu’s like the save/load menu or in the language menu, the scrolling up is quite broken. Sometimes it works and other times it refuses to work. 

Speaking of the save/load system, the save and load system isn’t good. I hate the fact that the list of save files is alphabetical and not sorted by the latest save you made. I always had a hard time finding my most recent save when I wanted to continue the game. Also, when you saved the game for a second time in a level, it doesn’t ask you to overwrite your latest save… It takes the name of the latest save and starts adding lines to it. 

When selecting a save file to load, you get the level name and the time stamp of when you saved the game. I wish I was able to see how long I was in the level as well. That way I would how far I was in the level. 

Now, this game doesn’t do an autosave when you enter a new level. You have to save manually each and every time. Thankfully, you can start at the beginning of the level through the main menu quite easily. 

All of these things are such a shame. Since it puts a blemish on quite an interesting game. A game that does a lot right like an enjoyable endless mode where you have to keep being fast and efficient since there is a huge lack of health pickups. Something else this game does well is setting the atmosphere with the fake DOS-loading screen and sound effects. 

But then strange mistakes happen like your controls settings not carrying over from single player to multiplayer. Or the custom cursor not working all to well in the multiplayer menu. 

Also, there are things like when you use your double barreled shotgun and you have only one bullet left, you can’t shoot your shotgun. But here is the thing that annoys me, when you are out of ammo for all your other weapons, DuskDude switches to another gun. And guess what he doesn’t do in the situation I described earlier? But of course, switch weapons! 

Now, there are moments where DuskDude flips upside down. During swimming moments or in certain levels. And let me tell you, the sudden camera movement was quite disorienting for me sometimes. One timing during my playthrough I even had to stop playing since I got a major headache… But that might be just me… 

So, with all of this said, I think it’s high time for the conclusion of this article. Time to wrap everything up in a nice TL;DR and give my final thoughts on the game. 

Conclusion

The good:

+ Addictive and fast gameplay.

+ The amount of homages and easter eggs are amazing.

+ The audio and visual design is excellent.

+ Andrew Hulshult’s soundtrack is a big plus.

+ …

The bad:

-Can be a bit short if you don’t go 100% it.

-The multiplayer is a bit eh, in my opinion.

-Some UI issues.

-The save/load system is somewhat broken. (The UI)

Final thoughts:

Dusk is an amazing game that takes you back to the times of the original Doom, Quake and other old school shooters. It’s an enjoyable shooter to play through and I had to a lot of fun from beginning to end. 

It’s clear that a lot of polish and love went into this game and it shows. This game is a labor of love that turned out quite well. It’s a shame that some UI issues (especially in the SAVE/LOAD system) are a blemish on an otherwise amazing game. 

I can forgive the game being rather short since you can go secret hunting or try to beat the game on a higher difficulty or beat your fastest time. Also, for the price of only 25€, you get an additional 26 page comic and the whole soundtrack by the amazing Andrew Hulshult. That dude has the shooter soundtrack creation nailed to a T. 

Would I recommend this game to fans of (retro-style) shooters? I think that’s a no-brainer YES, OF COURSE! The positives highly outweigh the negatives for this game. And with some updates on the horizon, this game might only get better and maybe some of the UI issues I mentioned in this article might be fixed in the future. Who knows? 

So, if you would excuse me… I think it’s high time I continue to shoot some of these enemies that are calling me a heretic while I wrap up this final paragraph. I want to thank you so much for reading this article. I hope you enjoyed reading it as much as I enjoyed writing it. I hope to be able to welcome you in another article but until then, have a great rest of your day and take care!

Score: 90/100

The 5th Retrospective Blogger / Creator collab is going to be about.. (Writer/YT’er call-out!)

In 2017, I came up with the idea of doing a retrospective in a special way. I gathered several writers and I created the “The Legend Of Zelda Retrospective – A Bloggers Journey“. The year after that, in 2018, one of the writers of Zelda retrospective took on another series in the same style. That series was Final Fantasy and that was bundled in the “Final Fantasy: A Crystal Compendium“. Later that year, it was my turn again. So I gathered writers for a series near and dear to my heart and that’s the Tomb Raider series. So, “Tomb Raider – Writer’s Raid” was born. Oh, and in 2019 the madlad Well Red Mage did another one… about, all. the. Mario. Games. Yes, including spin-offs. The “Super Mario Multiverse: Compilation” is the 4th one in this style. And now, it’s time for the announcement of the 5th one. 

How does this retrospective works?

How does this retrospective work? Well, the idea is quite simple. The first thing that happens is that somebody decides on a series to take a look at and lists all the games that should be included in the collab. In that case, the organizer knows how many writers are needed to at least look at the main games and how many additional writers are needed for the spin-offs. 

Depending on the amount of writers, the idea of this collab is that each writer takes as few games to write about as possible. The writer publishes their piece on their own blog/channel/page… Unless they don’t have one, then the organizer looks for a place to publish it. Each piece links back to the hub article that’s published on the organizer’s blog/channel/page. 

The hub and each article are published at the same time. That way, you can go to the hub article and read about your favorite game or about the game you always wanted to know about. And there are a few benefits as well. The creator community comes closer together and meets the fellow creators and opens doors for future collaborations. And for the readers, you might discover new content creators to follow and enjoy. 

Now, what are these articles about? Well, when I organize these collabs I always give the full freedom to the writers to write a piece to their liking. The only “rules” I have is that the article links back to the hub article, uses the art piece made for the collab and that it’s at least 1,000 words long. The article can be a review, a personal story about the game, the development history, interesting facts about the title, comparison between original & remake… As long as it focuses on the chosen title by the content creator, it’s all fine. 

The freedom I give to the writers means that it’s not a retrospective by definition. Since not every article will talk about the development history of the series. This isn’t a bad thing in my eyes, since the main idea of the retrospective is to promote other writers and celebrate a certain series and talk about personal stories and create something unique. My end goal is to create a group of friends that works together to create this celebration of this series. 

This seems like a long and complicated explanation but if you take a look at the finished works, I think it paints a clear picture of the end product. It’s up to the organizer to choose the publish date for each & every article and which writer gets which game. I personally advise against two or more writers taking the same game, but if you want to do it differently in your collab, I’m not stopping you… It’s your collab after all. 

The tease

So, a few days ago, I put out a tease that I was doing one of these collabs again. Yet, I kept the series a secret. The reason for that is because I recorded a podcast together with Alex Sigsworth about gaming music. At the end of the recording, I teased that I was in the final planning stages of this sort of collab but I refused to reveal the subject. 

At first, he was going to be able to publish it today but sadly some editing issues popped up and he has to delay it to next week Sunday. I wanted to avoid him uploading a podcast where I tell that this collab is still a secret while I fully reveal it later before he uploaded it. 

Yet, we came both to an agreement that it’s fine for me to reveal the series while he will see what he can do in editing. I’m going to leave that fully onto him. So, it’s possible that he cuts everything out about that or he puts in a disclaimer that it’s recorded before this reveal… It’s all fine in my book. But yeah, I wanted to tell this “behind the scenes” story in case if there is some misunderstanding when the podcast does goes live. I’m quite looking forward to the podcast since his previous ones were amazing and it was a lot of fun to record with him. 

The reveal and such

A few writers jumped in blind already. So far: Andrew Fisher, Eric Fellner, TriformTrinity and Gaming Omnivore signed up. That you so much for that. Now, of course with 5 writers we aren’t going to be able to tackle a series that’s extremely close to a lot of childhood’s hearts… I want to catch more writers for this collab. I want to catch ’em all to have enough writers for this journey/adventure… And if it hasn’t clicked yet… It’s going to be about:

Yes! It’s going to be about Pokémon! 

So, if you want to help out in this collab, what do you have to do and have?

I would love it if you have your own blog or YouTube channel. I wouldn’t mind publishing one or two articles if you don’t have your own space but I would prefer it if you have your own space. 

If you are interested, feel free to contact me over mail, Twitter or Discord. (My handle is NekoJonez#5471). Give me a link to your own site/page and if everything checks out, I add you to the group. 

For this collab, all the articles will be in English. So, if you decide to write an article or make a video, it should be in understandably English. It doesn’t need to be in perfect English, but remember that it’s going to be a sort of “ad” for your blog/channel to possibly interest new readers/watchers. 

At the moment, there is no real name or publishing date planned for this project. When I have enough content creators, I’ll look for a date and time when everything can be published. We will look for a date that works for almost everybody. 

Keep in mind that I’m trying to get as many content creators as possible. So, that means that I’m not going to allow content creators picking too many games. And also, when a game is taken by a content creator, it’s taken by that content creator. If you want to trade, it should be agreed upon with both content creators and me. 

When you want to write an article, it has to be at least 1,000 words. If you want to create a video, I expect a video that’s at least 5-10 minutes long. 

If you want to read/watch the final product, well keep a look out on my blog and Twitter. More information will appear on there. But for now, I’m quite interested in who is going to sign up for this collab and I’m rather curious for the end result. So, who is going to join us on this adventure? 

With that said, thank you so much for reading and I hope you enjoyed reading this article as much as I enjoyed writing it. I hope to be able to welcome you in another article but until then, have a great rest of your day and take care!

Game Music: My Favorites – Numbero 24: The Return

The previous articles in this series.

While I’m preparing my move, I’m playing less and less new games. I started to play a ton of games that I have already taken a look at but I’m now trying to finish since I packed most of my games already. Next weekend is my final weekend in my current house and the weekend after that, it’s moving weekend. Now, during packing my stuff and my games, I played a lot of music and that inspired me to bring back this series and talk about my favorite tracks in gaming. For those new to the series, in this series I talk about game music I really like and I use the opportunity to either talk about the games’ music OR talk about the game itself. Except for some special articles, I don’t allow remixes or music about games in these articles and I limit myself to one track per franchise per article. So, let’s dive right into today’s selection and if I notice that I re-use a track from a previous entry, let me know and I’ll change it.

Nightmare Reaper (PC) ~ Nightmare

My first impression article about this game

This soundtrack by Andrew Hulshult is just amazing. The guitar riffs and the drums give the game a tense metal feel. 

Honestly, I tend to enjoy the combat more when the soundtrack is playing. I love that each area has it’s own track for battle. I’m extremely bummed out that only one or two tracks are available on YouTube right now, but I’m patiently awaiting the full release of the game or a soundtrack DLC. 

If you at all enjoy soundtracks like DooM 2016 for example, you will feel right at home. Also, Andrew just composed part of the music for the DooM Eternal DLC, The Acient Gods. If only my CPU was strong enough to run the game so that I could enjoy the amazing work as well. But then again, I’m playing through Nightmare Reaper which might be one of my favorite games in 2020.

Horizon Zero Dawn (PC) ~ Years of Training

I know that this port is plagued with a lot of issues. While I’m glad that the developers are listing to the community and fixing the biggest issues. I’m even happier that this PS4-exclusive game got ported to the PC for even more players to enjoy. When I first played the game, I was hooked right away. 

Since there is no new Tomb Raider game to look forward too and we don’t know when Breath of the Wild 2 is coming to our Switch… I’m looking for my next big adventure game fix. 

And Horizon Zero Dawn scratches that itch for me perfectly. I’m so glad that my PC can handle this game on low to medium settings so that I experience this new and interesting adventure that almost made me buy a PS4. 

Anyways, this article is actually about the gaming music. So, I want to talk about the track I have chosen from this game called “Years of Training”. I choose this track for a reason. Because this track really pulls me back to the memories of playing the reboot Tomb Raider series and Breath of the Wild for the first time. It pulls me into the world of this game even more. 

The soundtrack also has it’s own unique identity. I listened to the Horizon Zero Dawn and Tomb Raider soundtracks side by side and while I hear similar things, both have their own unique tones and styles. The adventure-rpg lover in me is extremely happy with amazing music like this. 

Phoenix Wright – Ace Attorney 6 – Spirit of Justice (3DS) ~ Pursuit: Cornering Together

First impression of this game

Man, I still remember back in 2016 when this game got released. Three years after the amazing Dual Destinies game, we got this game. 

While some fans aren’t too pleased with some parts of the story, I think it’ll make the sequels quite interesting. 

The iconic music in this game sounds amazing. When I’m listing to the Ace Attorney soundtracks, I always have a hard time picking the game or the tracks I want to listen to. There aren’t many tracks I dislike in all of the soundtracks, I find them that good. 

The reason I have chosen for one of Spirit of Justice for this article is because I’m finally finishing up the DLC case of this game. This game released in late 2016 and during that year, I have been playing so many other games as well, I simply forgot about that one unfinished case and I kept forgetting and forgetting. Now, I decided that I want to beat that case before I move into my new apartment. So, being re-exposed to the soundtrack after 4 years… Man, it has been a nostalgic trip to say the least. 

Now, I was quite sad when I learned that Takeshi Yamazaki, the director of the series, left Capcom. Does that mean we won’t see another Ace Attorney game in the future or will the series take a drastic new direction? While my gut feeling is saying the former, I’m hoping for the latter. So yeah, Capcom, we are waiting. Where is our next installment of Ace Attorney since the last new game we got that weren’t remakes is 4 years ago now… 

Persona 4 Golden (PC) ~ Time to make history

The Persona-series always interested me. I have heard a lot of my favorite YouTubers like NitroRad talk about the series and ever since I wanted to play it for myself. 

When the enhanced remake of the 4th game got ported from the PS Vita to the PC this summer, I took the opportunity to finally start playing one of the Persona games. And all I have to say is: I wish I was less busy and that there were less interesting games releasing lately since I fell in love with the story and setting of the game. 

I think I might start playing a bit after finishing up this article. I’m also planning to write an article about this game in the future, so stay on the lookout for that. But, for now, let’s enjoy the amazing joyful soundtrack of this game which is in strong contract with the themes of the game. 

I’m even considering hunting down the original PS2 release of this game just to see the biggest differences between the original and the Golden remake. Maybe that would make for an interesting article. So yeah, time to get thinking about how I’m going to write that article…

The end

And with that last track, I want to wrap up this article. I found it quite refreshing to be able to talk about several games instead of focusing my whole week on one game to write an article. Anywho, I hope you enjoyed reading this article as much as I enjoyed writing it. Feel free to leave your opinion on the chosen tracks and/or games in the comment section down below. 

With that said, I hope to be able to welcome you in another article. Have a great rest of your day and take care. 

 

First Impression: Nightmare Reaper (PC – Steam) ~ Can You Sleep Through This?

Steam store page – GOG page

I can’t tell you exactly why, but I’m a big fan of old school 3D shooters. Last year, I took a look at Ion Fury and Wrath. Honestly, I think that it’s because these games stuck the right balance between modern game design and old school gameplay. Now, one day I stumbled across this game. A game in Early Access that released last year to GOG and Steam. A game that presents itself as a game inspired by Blood, Doom, and Duke Nukem 3D. That’s quite interesting in my eyes. Currently, only the first episode has been released and episode two is coming in the near future. At the moment of writing, the developer said that they are aiming to release the second episode at the end of the summer. But, is this game worth your time and money? Let’s take a look at this game while I invite you to leave a comment with your opinion on the game and/or the content of this article. 

Can you sleep through this?

You play as an unnamed girl who is stuck in a psychotic ward. Her story is being told through small notes that you unlock after beating each level. In order for you to enjoy the game, you don’t need to pay any attention to the story, at all. But, I can tell you out of the experience that it enhances the game tenfold. My imagination and the spare bits of story that I got gave the world-building quite a lot of meaning. My imagination filled in some gaps that made the story quite interesting.

Now, I can understand that some people won’t enjoy a story that is this bland where it’s quite clear that you need to protect yourself on the character or fill in some of the gaps yourself. But, I didn’t find this a problem at all. Since this game focusses itself a lot more on the gameplay than on the story and in that case I don’t mind a “weaker” story.

I always find it quite difficult to review or criticize a story when I know that you don’t have every piece of the puzzle. A story can start off strong and end up quite weak. Currently, I’m quite interested to see where the story is going to go and if it wraps up with a nice conclusion or if it leaves it up to the player to figure out.

As I said before, the story is mostly told through small notes that you can read on your table after beating a level. You unlock one note for every level you beat. Each note builds on the previous note painting a more complete picture of the situation. There is no voice acting during these notes, but that doesn’t mean that there is no voice acting in the game.

The girl you play as is voiced by Marie-Claire Lavertu and I haven’t found anything about her. Now, this might raise some red flags but don’t you worry. The voice actor nails the voice acting of the main character flawlessly. The grunts, the smirks, the laughs… It’s all done pretty well. She did a pretty amazing job of bringing this troubled character to live without saying one line. I wonder if she also did the screams of the other patients you hear when you are in your room.

So, how do you play this game; since you start off in a hospital room? Well, as the name of the game suggests, you are going to reap some nightmares. So, it’s time to go to sleep and you get transported to a randomly generated level where your goal is to beat your enemies and reach the goal.

Retroception

This game features randomly generated levels. Well, to a degree. The developer created a whole slew of rooms and the random level generator just fits them together in random order.

So that means, that you might find the same layout once or twice but in most cases, each level and each playthrough is quite different. But, this isn’t the only thing that stands out in this game.

The Steam Store page boasts that this game has over 32 weapons and is going to have 80+ weapons. Now, before you think that this is going to be an overload to manage them all… You don’t have to manage them all. That’s because you can only carry over one weapon from one level to the next. Yes, one weapon.

It gets even better, each weapon might have special abilities and has a certain level. So, you need to think and strategize about which weapon you want to keep and which weapon you want to sell for those precious coins.

These coins can drop from destroying the environment, defeating enemies, selling weapons at the end of a level, finding treasure, and playing the Gameboy Advance Skilltree minigame. Oh yes, the minigame. One doesn’t simply unlock new powerups in this game, you have to earn them by first having enough coins and then beat the mini-platform level. Only when beating a level, you lose your coins and earn your sweet powerup. Trust me, these power-ups are worth it! After defeating some levels, I felt more equipped and stronger to beat my enemies.

If I would take a look at all the enemies and weapons, I think I would be here all day. Let’s first talk about the weapons. You have swords, staffs, shotguns, rocket launchers, tomes, pistols, rifles… It’s a whole lot. Personally, I rarely used the bows since I found their fire rate a bit too slow since this game can get pretty hectic and intense with some enemies and a strong gun fits my playstyle more in these types of gameplay situations. And my preferred weapon was a double-barreled shotgun with the chance to shock my enemies I picked up in one of the earliest levels.

Obviously, I’m going to talk about the enemies right now. You have a whole range of enemies. From hit scanning enemies to enemies that take you with melee attacks. It’s essential for you to learn the patterns of each enemy so you can play accordingly for which enemy you should take out first.

There are some enemies I absolutely hated during my playthroughs. These Dragon Plants that not only spit acid but also spit little egg projectiles that hatch smaller dragons. These didn’t die fast enough for my liking. And then I’m skipping over the enemies who throw what I assume mutated blobs of themselves to you and these blobs track you and when they explode… You lose a LOT of your health. And these blobs are so freaking small and annoying to kill…

Now, would I remove these enemies? Absolutely not. They ramp up the difficulty of this game to a very rewarding level. For having so many different possibilities, I’m surprised how much work there has been put into the balancing of the game. New enemies are introduced one by one so you can get used to them, learn their patterns, and try to manage them in the chaos of a whole enemy filled room.

The “punishment” for death in this game isn’t that harsh. Thankfully, since you will die quite often since this game can be quite rough. But I mean that in a good way. The punishment is that you have to restart the level with the weapon you choose to keep from the previous level. But, you don’t lose your gold. So, if one level is a bit too tough, you can grind up your coins, beat a few skill tree mini-games and try again with some new powers.

During my playthrough, I regularly felt the urge to play just one more round, to try to beat that annoying level. I found that most of this game is quite fair and balanced apart from the fire boss. I’m sorry but I find that boss battle just too difficult. That boss hits a bit too hard. My biggest complaint is that this boss appears after quite a challenging level and then you have to try and beat quite a difficult fight. Thankfully, the developer said that he is going to take a look at how the fight can become a little bit easier. And also, he has given us some helpful advice to beat it. It’s the biggest frustration I have with this game since I have gotten so close several times… But one of these days, I’ll do it and defeat that – CENSORED –

So, would it surprise you if I said that I’m not even done talking about all the mechanics yet? Oh, I haven’t mentioned the power-ups, the random events, and the possible bonus gold you can earn by killing all the enemies, finding all the gold and secrets… Well, I’ll leave these interesting and fun game mechanics up to you to find out. There must still be something to discover when you play this game after reading this article, right?

Shoot everything

You might have noticed by looking at the screenshots, that this game doesn’t have the most modern graphics. This game goes for a more retro aesthetic with some modern vibes. And the game succeeds in that quite well.

In the visual presentation, I find this game quite exceptional. I really like the visual presentation and animation of this game. From the enemy design to the animations on the weapons, I really think they are well done. Especially, when I saw some early footage of the game and compare it to what’s on offer now, it’s impressive how far this game has come. The only minor complaint I have in the visual department is a timer. Yes, a timer of how long your power-up is lasting. Since there is no inventory in this game for power-ups and health pickups, so it would have been nice to see how much a powerup is going to last when you want to use it to rush a boss or a difficult room.

To finish up my thoughts on the visual presentation, let’s talk about the UI. Overall, it’s quite well done but there are a few minor things that I would change. First of all, the “Reset Default Settings” is a great future but I would rather have that feature reset for example only the game features instead of resetting everything. Another minor complaint I have about the UI is there are no page numbers on the achievement page.

Speaking about achievements, it’s lovely that these give you coins in-game but I find them to also have them as Steam achievements. I mean, there are over 80 already. Maybe this is just me, but I almost got an achievement in every round, if not two or three. Maybe I look at achievements in a totally different light but I found them not rewarding to earn at all.

There is one thing that I haven’t talked about yet and I usually talk about quite early in my articles and that’s the audio of this game. First of all, let’s talk about the sound effects. The sound design of this game is close to perfect. On quite rare occasions, I didn’t hear some trap or pickup sound effects playing, especially during fights but that isn’t such a big deal. These fights are hectic enough when you try to manage large groups of enemies, the sparse health pickups, and the great sound effects of the enemies and weapons.

But I want to talk about the amazing soundtrack by Andrew Hulshult. Now, if this name doesn’t ring a bell. Well, let me just say he created the soundtrack of a little game called Dusk and Wrath: Aeon Of Ruin. Let me just say, if you enjoy the DooM 2016 soundtrack, oh man you are going to enjoy this quite a lot.

Overall, I would recommend this game to people who enjoy retro games and shooters. At its current state, I found this game quite addictive and I had a hard time putting this game down during my summer holidays. Before I knew it, I had put in 11 hours in this game and I’m not bored with it yet. I can’t wait to see what the second episode will bring to the table.

To be honest, I had a really hard time finding negatives to say about this game apart from the fire boss being too tricky for my liking. All the other things are things that are either quite minor or can change because this game is still in active development. I’m going to keep an eye out on this game and maybe you too.

And with that said, I have said everything I wanted to say about this game. I hope you enjoyed reading this article as much as I enjoyed writing it. I hope to be able to welcome you in a future one but until then, have a great rest of your day and take care.